![fl studio tape saturation fl studio tape saturation](https://aberrantdsp.com/wp-content/uploads/2019/05/SketchCassetteSquare.jpg)
Re-creating an ‘analog-style’ signal path in DSP is thinking about the problem like a human. To get a computer to behave (or sound!) in a certain way, it helps to think like it does. But the reality is that ‘analog’ and ‘digital’ are two fundamentally different domains. This process may sound overly digital for a plugin that brings an analog sound. Once these differences have been learned by the AI, we can apply them to new audio. processed audio and teaching it to identify the exact characteristics that make up the difference. This happens by feeding an algorithm various training data of dry vs. Where a normal DSP emulation would entail ‘guesstimating’ the effect of various analog components and their mutual dependencies, we can use AI / neural networks to accurately decipher the sonic qualities that make a tape machine sound and behave in the way it does. It just needs to be used genuinely and with a legitimate purpose.įor a hardware emulation project like TAIP, AI offers an alternative - and in our opinion more faithful - approach over the traditional DSP method. But we believe it’s the future of music technology.
![fl studio tape saturation fl studio tape saturation](https://blog.landr.com/wp-content/uploads/2016/10/0000_SlickEQ.jpg)
‘AI’ is an overused - and often misused - term. ◾ AUTO GAIN: Allows you to add more DRIVE while keeping a consistent plugin output level. ◾ INPUT: Choose between NORMAL or HOT (more distorted) input levels without affecting the output volume. ◾ WEAR: Combines wow, flutter and an altered frequency response curve to emulate a worn-out tape machine. It can bring back the brightness that is sometimes lost on tape. PRESENCE allows you to decide how much of that attenuation you want. For the saturation process, the signal gets dynamically. It offers 3 different types of Analog Tape, as well as 3 different types of distortion. ◾ PRESENCE: Part of the tape warmth comes from an attenuated high-end. The 413 Tape Saturator reproduces the non-linear characteristics that would result when overdriving analog tape, as magnetic saturation occurs with increasing amplitude of the ‘recorded’ signal. ◾ NOISE: Lets you add tape noise to taste – or avoid it altogether. Use GLUE for subtle cohesion or as a compressor. TAIP lets you add this effect – or even exaggerate it. Apply the saturated, worn timbre of late-80s hip-hop in an instant. ◾ GLUE: Tape machines are known to introduce a pleasing compression-like effect due to their low dynamic range. (Example: Warm up a drum buss without distorting the low frequencies). ◾ LO-SHAPE / HI-SHAPE: These sliders let you saturate the low/high end more or less than the rest of the frequency spectrum. This will add slightly more weight to your signal.
FL STUDIO TAPE SATURATION SERIES
◾ MODEL: While SINGLE is a regular tape emulation, DUAL creates a series of two tape emulations chained together under the hood, each applying half of the DRIVE value. This is caused by the wow and flutter of WEAR running in parallel with the dry track. You can combine MIX and WEAR to get a classic ‘ tape flanging’ effect. ◾ MIX/TAPE FLANGING: MIX lets you run your tape in parallel. You can use the DRIVE knob to add just as much color as you need - from a subtle touch of heat to heavy distortion. A higher / louder input signal equals more saturation. Input amp - offers attenuation or 2.5x amplification of the input signal. For the most precise and clean sound without digital distortion or artifacts FAT+ offers 4x internal oversampling. In addition to these functions, you also have access to a low-pass and high-pass filter, as well as functions such as saturation, adjusting the sound width or increasing the volume if it is too quiet.◾ DRIVE: Traditionally, tape machines were designed to color the sound as little as possible. saturation from an analog mix console saturation to clean sounding saturation of modern analog tape. This effect allows you to add GameBoy atmosphere to your sounds.įILTROUS adds an interesting filtering effect that will color modern tunes with a vintage sound. The TAPE effect will add interesting artifacts that you can control using three parameters. There you can take advantage of the effect, which we called DROPS, which will randomly mute the incoming signal in order to emulate the missing information on vinyl. Tape Mafia also has a range of effects that only enhance the retro saturation effect. Emulation B at speed 7 on a bass track is always the right answer. A light touch on each channel at different simulated tape speeds really adds some indefinable but definitely present character to the sound. These noises are added only when any sound passes through the plugin. It's a more subtle effect but for tape sat I use Softube Tape incessantly.
FL STUDIO TAPE SATURATION PROFESSIONAL
In our plugin, we placed 10 unique tape and vinyl records recorded in our professional studio. Tape Mafia is a plug-in that will add analog tape or vinyl sound effect, as well as other noises for each of your tracks.